Used DiGiCo MaDi-Rack: Buying Guide and Condition Notes

The DiGiCo MaDi-Rack is a 48-channel analogue stage rack that many rental companies and venues still keep in service because it feeds a DiGiCo console over MADI without touching the console's local I/O. For overseas distributors sourcing used DiGiCo MaDi-Rack for sale, the practical questions are always the same: how many channels actually pass audio, what the XLR connectors look like after years of festival use, and whether the rack has been opened or re-racked badly.

This unit is listed with 48 XLR inputs and 24 XLR outputs (MIC/LINE), 6 rack units, 18.5 kg, and dual 100–240V AC 50/60 Hz power. Those are the numbers to verify against the physical unit before you commit: count the connector blocks, confirm both power inlets work independently, and check that the front panel and rear connector panels are the original DiGiCo parts rather than replacements. Because DSP, network and control fields are not applicable or not stated for this rack, do not assume any remote control or digital processing capability — it is an analogue front end with MADI transport to the console.

Condition Grade B is the realistic grade for a working second-hand stage rack: fully functional, but with cosmetic wear such as rack-ear scuffs, panel scratches, faded screen printing or worn connector latches. Ask for close-up photos of every XLR block, the power inlet area and the MADI ports. On a rack this age, the usual failure points are intermittent XLR pins, dirty or bent MADI connectors and tired power switches. If you are comparing this against other second hand digital mixing console stock, remember the rack is only half the signal chain — the console's MADI card and cabling matter just as much.

Testing is listed as on request, so build it into your inspection: feed a known signal into every input, confirm channel-to-channel consistency, and check for crosstalk or dead channels before the rack leaves the warehouse. For rental companies, a bench test with a console attached is worth more than any paperwork. Buyers assembling a full used pro audio equipment for export order should also confirm voltage configuration for their destination and request the rack be shipped with the correct mains leads for the region.

Quantity available is on request, which matters for distributors planning multi-venue deployments or rental fleet expansion. If you need more than one unit, ask early — matching Grade B racks from the same production era is easier when you buy them together. For venue owners replacing a failed stage box, a single tested unit is usually enough, but confirm the console firmware and MADI card compatibility before shipping.

Finally, treat this as a component purchase, not a plug-and-play console. Budget for connector cleaning, a spare set of XLR panels if you can find them, and proper flight-casing or rack protection for export. For buyers comparing stage racks across brands, the used line array speakers and amplifier pages in the same catalogue show how OxGears grades and documents second-hand inventory — use the same checklist here: photos, test results, connector condition and power verification before payment.

Questions about this unit or about shipping to your country? Contact us for condition photos, test results and a quote.