A single rig that does both jobs: line arrays or full-range tops for the dance floor, ground-stacked subwoofers for the low end, and a DSP that keeps the room inside its limits night after night.
For a 120–300 m² dance floor we plan 8× NEXO GEOS LD12 array boxes (Grade A) flown four per side, 4× Funktion One 21SW152-8 subs coupled on the floor and two Adamson PLM 20K44 four-channel DSP amplifiers. The 21-inch subs are rated 136 dB peak from 30–120 Hz; every unit is powered up and bench-tested in our warehouse before it ships.
A club system has to do two jobs in the same room: drive a dance floor at 2 a.m. and stay clean enough for a live band at 9 p.m. Design for the quieter job first and keep headroom for the louder one.
Flown or bracket-mounted tops cover the floor evenly and keep the sound off the walls. Two or three boxes per side, angled down towards the crowd, will out-perform a bigger stack aimed straight ahead.
Put the subwoofers together on the floor, in one block or in a corner. Coupled low end gives far more output for the same amplifier power, and a corner placement adds boundary gain that no EQ can imitate.
Lock the system down with DSP: load the manufacturer preset for the exact cabinets, set the limiters so a guest DJ cannot cook the drivers, and leave a labelled spare amplifier and cable set in the rack.
The three problems that come up most often in this kind of room — and the specific way we plan around each one.
Starting points by floor area. Tell us your room size and we adjust the list.
2 full-range tops on stands, 1x 18-inch sub, a 4-channel amp and a compact DSP.
Two 15-inch tops at 124 dB peak on stands cover a 90° × 60° pattern over a room this size with no delay ring needed; 2000 W of amplifier is already headroom for one 18-inch sub.
6 to 8 line array boxes per side, 4x 18-inch subs, two amps with club presets.
Eight array boxes at four per side hold their pattern off the walls, and four coupled subs reach 136 dB peak at 30 Hz — the level a commercial dance floor is mixed at.
12 line array boxes per side, 6 to 8x 21-inch subs, networked amps and per-zone DSP limiters.
Twelve boxes per side with 6–8 subs gives the headroom for a live band on the same stage; networked amps and per-zone limiters keep the floor and the bar at different levels without touching the house setting.
Send the venue type, floor area and what you run today. We reply with availability, condition photos and a configuration you can check line by line.
For a 200 m² dance floor we plan 6–8 array boxes (3–4 per side) with 4 coupled 18- to 21-inch subs and one four-channel DSP amplifier per four boxes. That puts roughly 135 dB peak at the front of the floor with enough headroom left for a live band.
Yes. Our amplifiers ship with the manufacturer preset for the exact cabinet loaded and locked, plus a printed channel list. If you buy amp and cabinet together we run the pair on the bench before dispatch.
Yes. Racks stay assembled inside flight cases and cabinets are crated with the rigging hardware attached. We quote FOB port of loading and can arrange LCL consolidation for a partial container.
The Funktion One 21SW152-8 is a high-performance 21-inch professional subwoofer driver featuring a rugged cast-aluminum basket and high-power magnetic circuit design, suitable for large-scale live events, nightclubs, and fixed installation systems. The unit is clean in appearance, with an intact grille, and has passed functional testing.
The JBL EON1500 is a 2-way powered stage monitor/main PA speaker, equipped with a 15-inch woofer and a 1.5-inch high-frequency compression driver. Rated power handling is 225W (IEC), system impedance is 8 ohms, suitable for small to medium-sized performances, conferences, and fixed installation scenarios.
The Adamson PLM 20K44 is a professional-grade digital power amplifier, equipped with an LCD display and physical control knobs, and supports network connectivity and AES/EBU digital input. Suitable for driving line array systems, it offers high reliability and on-site tuning capability.
The Yamaha DM1000 is a professional digital mixing console featuring 16 mono inputs and 8 stereo inputs, supporting 96kHz sampling rate and IEEE 1394 network connectivity. Suitable for small to medium-sized live performances, recording studios, and fixed installation projects, it offers scene memory, built-in DSP processing, and multi-bus routing functions.
